Star singers command crore-plus fees at overseas and local weddings, raising questions about creativity, cultural value, and why audiences continue paying millions to hear familiar songs again and again.
Imran Malik – MediaBites – January 14, 2026
Lavish wedding celebrations, both in Pakistan and abroad, are increasingly marked by high-priced performances from a small group of star singers, raising questions about value, creativity, and the future direction of the music industry.
Millions of rupees are routinely spent to book the same artists for private events, prompting debate over whether their fees would remain so high if demand were to ease even briefly. Critics argue that pricing has been driven less by recent creative output and more by reputation and nostalgia.
Industry observers also point to a lack of new, original music from many of these highly paid performers. Most of their widely recognised hits were produced years ago, often outside Pakistan, while new albums, training academies, or structured efforts to mentor emerging talent remain limited.
Audience preference plays a central role, particularly among overseas Pakistanis, where familiar songs continue to dominate demand. As long as nostalgia defines value, analysts warn, creative stagnation will persist.
Journalist Naeem Hanif has reported that Rahat Fateh Ali Khan charges more than Rs. 125 million for a single wedding performance, with fees doubling overseas. Atif Aslam is said to command between Rs. 200 and 250 million, while Abida Parveen charges up to $70,000 per appearance when she performs.
The debate ultimately comes down to one question: Whether spending millions to hear the same repertoire reflects cultural appreciation or a reluctance to move forward musically.
