2020 Oscars Nominations: Complete list. Biggest snubs and surprises. Hollywood forgot about the women Directors?

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Joker was the year’s most-nominated film, with 11 total nominations. (Three more than the previous most-nominated superhero movie.) 1917The Irishman and Once Upon a Time in Hollywood trailed closely behind, with 10 nominations apiece.

To find out which of these Academy Award nominees become Academy Award winners, tune in to the (once again, host-less) Oscars, airing live from the Dolby Theatre in Hollywood on Sunday, Feb. 9 at 8:00 p.m. ET / 5:00 p.m. PT on ABC.

Here is the full list of nominees:

BEST PICTURE

Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
1917
Once Upon a Time in Hollywood
Parasite

BEST DIRECTOR

Bong Joon-ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time in Hollywood

ACTOR IN A LEADING ROLE

Antonio Banderas, Pain and Glory
Leonardo DiCaprio, Once Upon a Time in Hollywood
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Jonathan Pryce, The Two Popes

ACTRESS IN A LEADING ROLE

Cynthia Erivo, Harriet
Scarlett Johansson, Marriage Story
Saoirse Ronan, Little Women
Charlize Theron, Bombshell
Renée Zellweger, Judy

ACTOR IN A SUPPORTING ROLE

Tom Hanks, A Beautiful Day in the Neighborhood
Anthony Hopkins, The Two Popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once Upon a Time in Hollywood

ACTRESS IN A SUPPORTING ROLE

Kathy Bates, Richard Jewell
Laura Dern, Marriage Story
Scarlett Johansson, Jojo Rabbit
Florence Pugh, Little Women
Margot Robbie, Bombshell

ORIGINAL SCREENPLAY

Knives Out, Written by Rian Johnson
Marriage Story, Written by Noah Baumbach
1917, Written by Sam Mendes and Krysty Wilson-Cairns
Once Upon a Time in Hollywood, Written by Quentin Tarantino
Parasite, Screenplay by Bong Joon-ho and Han Jin-won

ADAPTED SCREENPLAY

The Irishman, Screenplay by Steven Zaillian
Jojo Rabbit, Screenplay by Taika Waititi
Joker, Written by Todd Phillips and Scott Silver
Little Women, Screenplay by Greta Gerwig
The Two Popes, Written by Anthony McCarten

ANIMATED FEATURE FILM

How to Train Your Dragon: The Hidden World
I Lost My Body
Klaus
Missing Link
Toy Story 4

INTERNATIONAL FEATURE FILM

Corpus Christi (Poland)
Honeyland (North Macedonia)
Les Misérables (France)
Pain and Glory (Spain)
Parasite (South Korea)

DOCUMENTARY – FEATURE

American Factory
The Cave
The Edge of Democracy
For Sama
Honeyland

DOCUMENTARY – SHORT SUBJECT

In the Absence
Learning to Skateboard in a Warzone (If You’re a Girl)
Life Overtakes Me
St. Louis Superman
Walk Run Cha-Cha

LIVE ACTION SHORT FILM

Brotherhood
Nefta Football Club
The Neighbors’ Window
Saria
A Sister

ANIMATED SHORT FILM

Dcera (Daughter)
Hair Love
Kitbull
Memorable
Sister

ORIGINAL SCORE

Joker – Hildur Guðnadóttir
Little Women – Alexandre Desplat
Marriage Story – Randy Newman
1917 – Thomas Newman
Star Wars: The Rise of Skywalker – John Williams

ORIGINAL SONG

“I’m Standing With You,” from Breakthrough
“Into the Unknown,” from Frozen II
“Stand Up,” from Harriet
“(I’m Gonna) Love Me Again,” from Rocketman
“I Can’t Let You Throw Yourself Away,” from Toy Story 4

SOUND EDITING

Ford v Ferrari
Joker
1917
Once Upon a Time in Hollywood
Star Wars: The Rise of Skywalker

SOUND MIXING

Ad Astra
Ford v Ferrari
Joker
1917
Once Upon a Time in Hollywood

PRODUCTION DESIGN

The Irishman
Jojo Rabbit
1917

Once Upon a Time in Hollywood
Parasite

CINEMATOGRAPHY

The Irishman
Joker
The Lighthouse
1917
Once Upon a Time in Hollywood

MAKEUP AND HAIRSTYLING

Bombshell
Joker
Judy
Maleficent: Mistress of Evil
1917

COSTUME DESIGN

The Irishman
Jojo Rabbit
Joker
Little Women
Once Upon a Time in Hollywood

FILM EDITING

Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Parasite

VISUAL EFFECTS

Avengers: Endgame
The Irishman
The Lion King
1917
Star Wars: The Rise of Skywalker

Biggest ‘Snubs’ and ‘Surprises’:

SNUB: Jennifer Lopez, “Hustlers”
Did the younger Oscar voters not vote? The biggest disappointment from Monday’s announcement was that Jennifer Lopez is not an Oscar nominee. Her tour-de-force role as a New York stripper in Scafaria’s drama, which drew comparisons to “Erin Brockovich,” was supposed to catapult her to the top of the best supporting actress category (she received both a Golden Globe and Screen Actors Guild nomination). Plus, “Hustlers” grossed more than $100 million at the box office, thanks in large part to Lopez’s work.

SNUB: Awkwafina, “The Farewell”
After winning a Golden Globe for “The Farewell,” Awkwafina should have been nominated for best actress. Her performance in “The Farewell,” a Sundance darling that opened in theaters in August, might have been too understated for voters. The movie also failed to receive a nomination for screenplay or best supporting actress (Zhao Shuzhen).

SNUB: Lupita Nyong’o, “Us”
The Oscars have long had a bias against films in the horror genre. Although Jordan Peele’s “Get Out” picked up four Oscar nominations in 2018, his sophomore feature “Us” didn’t receive the same warm reception from the Academy. Nyong’o, who won an Oscar for “12 Years a Slave,” was nominated for a SAG Award for “Us.” However, the Academy didn’t recognize her in the best actress race for her terrifying dual roles, playing the mother of a family under attack — and her clone.

SNUB: Greta Gerwig for directing “Little Women”
Although Gerwig’s adaptation of “Little Women” received stellar reviews and six nominations, including best picture, best actress (Saoirse Ronan) and best adapted screenplay (for Gerwig), it didn’t land a nod for best directing. If Gerwig had been recognized there, she would have been the first woman in Oscars history to be nominated for best director twice (after “Lady Bird”). Instead, the directors branch went with another all-male lineup: Martin Scorsese (“The Irishman”), Sam Mendes (“1917”), Quentin Tarantino (“Once Upon a Time in Hollywood”), Bong Joon Ho (“Parasite”) and Todd Phillips (“Joker”).

SNUB: Christian Bale, “Ford v Ferrari”
It was a good day for “Ford v Ferrari,” which became the first movie about racecar drivers to be nominated for best picture. Christian Bale, as Ken Miles, was in the running for best actor. But this year’s packed actor field, and Bale’s previous four Oscar nominations (including one just last year for “Vice”), led voters to gravitate toward other performances.

SNUB: Adam Sandler, “Uncut Gems”
Sandler’s portrayal of a New York jeweler in “Uncut Gems” is perhaps the performance of his career. That the movie peaked at the box office during the holidays, just as Oscar voters were filling out their ballots, led some to believe that he could have been a surprise Academy Award nominee. But sadly, “Uncut Gems” proved to be too edgy for the Oscars.

SNUB: George MacKay, “1917”
“1917” is both a box office hit and an Oscars favorite, with 10 nominations. But it’s odd that MacKay, who carries every scene of this World War I saga directed in two long takes, hasn’t been collecting any acting awards. If “1917” goes on to win best picture at the Oscars, it will be the first movie in more than a decade — since “Slumdog Millionaire” in 2008 — to do that without any acting nominations.

SNUB: Eddie Murphy, “Dolemite Is My Name”
Murphy earned some of his best reviews for playing the actor and comedian Rudy Ray Moore in “Dolemite Is My Name.” The Oscars usually loves to reward actors for playing real-life people, especially other actors, but the Netflix release had trouble breaking into this year’s best actor race. For now, Murphy’s only Oscar nomination is for “Dreamgirls.”

SNUB: Jamie Foxx, “Just Mercy”
What happened to “Just Mercy”? In the fall, Warner Bros. executives thought they had a formidable Oscar contender on its hands for a story about a young lawyer (Michael B. Jordan) who tries to save his innocent client (Jamie Foxx) from death row. But for some reason, the studio didn’t release the film wide until after ballots closed last weekend. As a result, Foxx didn’t receive an Oscar nomination.

SNUB: Beyonce, “Spirit”
Beyonce’s ballad from “The Lion King” was thought to be a lock in the best original song category. But the real loser is the Oscars, who now won’t be able to invite her to perform at the ceremony.

SNUB: “Frozen 2”
The highest-grossing animated movie of all time wasn’t nominated in the best animated feature category.

SURPRISE: Antonio Banderas, “Pain and Glory”
Since Banderas was awarded the best acting prize at the Cannes Film Festival last May for Pedro Almodovar’s drama about an aging filmmaker, he’s been picking up accolades. And now he has his first Oscar nomination.

SURPRISE: Jonathan Pryce, “The Two Popes”
After missing out on a SAG nomination, Jonathan Pryce’s odds at the Oscars were starting to look less likely, but voters evidently loved his portrayal of Pope Francis in this Netflix drama. Anthony Hopkins, who plays his predecessor, Pope Benedict XVI, also scored a nomination in the best supporting actor category.

SURPRISE: Florence Pugh, “Little Women”
After missing out on both a Golden Globe and SAG nomination, it looked like Pugh might not be invited to the Oscars this year. But the holidays gave voters enough time to catch up with “Little Women” and Pugh’s interpretation of Amy proved too great — think Kate Winslet circa “Sense and Sensibility” — to ignore.

Once again, Hollywood forgot about the women.

The Oscar nominations, announced Monday morning, completely ignored women directors, nominating five men for the best director category instead: Bong Joon Ho (“Parasite”), Sam Mendes (“1917”), Todd Phillips (“Joker”), Martin Scorsese (“The Irishman”) and Quentin Tarantino (“Once Upon a Time in Hollywood”).

“Congratulations to those men,” Issa Rae, who was presenting the awards alongside John Cho, said in a pointed dig during the announcements.

Greta Gerwig (“Little Women”) was considered a frontrunner ahead of the nominations after her movie, based on the 1868 Louisa May Alcott novel, earned rave reviews and more than $100 million at the global box office.

Lulu Wang (“The Farewell”), Lorene Scafaria (“Hustlers”), Melina Matsoukas (“Queen & Slim”) and Marielle Heller (“A Beautiful Day in the Neighborhood”) were also favorites leading up to the announcements.

The Golden Globes, SAG Awards and BAFTAs all also failed to nominate any women for best director.

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